# Edelweiss direct pose-transfer production Generated with the built-in image generation tool. These are normalized reusable briefs for the final pose batches; localized leg, torso and fabric repairs were reviewed separately. The user-provided Alucard PNG remains unchanged. Crops and horizontal root anchors are metadata, not edits to its pixels. ## Shared brief Transfer each labeled Alucard pose one-to-one to adult Edelweiss: same head/neck/shoulder/hip inclination, elbows/wrists, knee crossing and ankle/boot contacts. Preserve long silver hair with two braids, blue/red heterochromia, white botanical embroidered dress with black lace and bow, white lace-up boots, empty hands and the established pixel-art shading. No sword, hilt, shield, red cape or Alucard armor. Translate cape motion through her skirt and hair. Keep one fixed upright anatomical scale; bent bodies stay lower even when hair rises. Genuine transparent alpha; no text/grid/background; isolated poses with clean gutters. Four-drawing pages use2columns x2rows on1536x1024; final walk page has3drawings and final turn page has2drawings. ## Pose batches ### walk 01–04 - W01: Upright compact start; chin down-right, elbows slightly out and hands beside hips; feet close with one knee just ahead; hair and cloth mostly droop. - W02: Begin leaning right about10degrees; forward knee advances, elbows soften and cape remains narrow behind. - W03: Pitch head and shoulders down-right about20degrees with hips back; elbows pull behind waist; support foot under rear hip. - W04: Forward lean grows toward30degrees; both upper arms sweep back and elbows bend; cape begins fanning left; hair lies low behind head. ### walk 05–08 - W05: Compressed forward-weighted setup about35–40degrees; bent elbows behind waist; support shin down-left; cloth streams low-left. - W06: Forward thigh and knee lift right nearly horizontal, shin and boot fold back-left at hip height; other leg reaches down-left to floor; hair starts lifting. - W07: Tucked forward knee and long rear support leg; head and shoulders thrust right, arms compact behind waist; cloth fan rises left. - W08: Same folded lead knee and rear support leg; head slightly higher; hair curls strongly up/back; broad rounded cloth fan left. ### walk 09–12 - W09: Deep forward running pitch, head far right of hips; both elbows swept back with hands near rear waist; near knee forward, its lower leg folded back; long rear leg to floor; broad cape left. - W10: Maintain forward pitch and folded forward leg; rear support boot remains low-left; hair lifts more vertically; cloth fan flattens left. - W11: Forward body and backward bent arms persist; support shin becomes slightly more upright, folded lead boot remains elevated; hair tall, cloth broad-left. - W12: Low forward thrust persists; both lower legs draw closer into diagonal down-left placement; hair rises almost vertically; cloth narrows into long low-left ribbon. ### walk 13–16 - W13: Forward torso/neck thrust, both shins near-parallel down-left with boots close at floor; arms begin dropping; vertical hair plume and narrow low-left cloth ribbon. - W14: Torso begins rising; near arm hangs straighter beside front hip, other elbow bent behind; cape re-expands into broad low-left fan. - W15: Head and shoulders rise toward20–25degree lean, near arm hanging; knees close and bent; hair curves up-left, cloth broad low-left. - W16: Almost upright side profile about10degree lean; forward/support leg straight down to floor, other heel tucked back-left behind calf; hair horizontal-left. ### walk 17–20 - W17: Upright passing stance; forward elbow flexed with forearm near waist and other arm hanging; rear boot lifted behind supporting calf. - W18: Slightly higher head and hair whipped diagonally up-left; support knee softens, rear boot still tucked behind; forward forearm near waist. - W19: Begin lowering and pitching upper body; forward knee comes through, other long leg supports rear-left; near forearm forward-right at waist, other arm hanging. - W20: Deeper passing compression; lead knee raised and front boot dropping, supporting boot rear-left; bent elbow with nearly horizontal forearm; S-curve hair left. ### walk 21–24 - W21: Low forward compression; lead knee and right boot reach forward to floor, rear shin angles down-left; near forearm/fist forward at waist, rear arm trailing. - W22: Lead boot plants under forward knee; rear boot lifts behind to pass; hair low-left and narrow cloth down-left. - W23: Torso rises upright and planted support leg straightens vertically; rear heel folds up behind; near forearm remains forward. - W24: Tall upright passing stance, support shin vertical and rear boot tucked behind same calf; cloth falls behind rather than a flat fan. ### walk 25–28 - W25: Modest torso lean; swing knee forward/up and opposite support leg long/straight; cloth expands into broad low-left fan. - W26: Knee-up passing with compact bent elbows; planted support leg straight; cape spreads widest horizontally left. - W27: Both knees soften into compression; torso forward, swing boot passes close to support shin; broad trailing cloth left. - W28: Legs separate into next forward step; lead boot drops toward right floor, rear boot supports left; torso slightly forward, cloth remains flat-left. ### walk 29–31 - W29: Lead/right shin almost vertical with boot just above floor, rear knee flexed and boot back-left; near forearm/fist forward at waist. - W30: Lead heel plants ahead right with toes raised slightly; rear leg pushes off left; near forearm horizontal forward. - W31: Tall passing stance returns; front/right leg planted vertically and rear boot lifted behind calf; near elbow bent/fist forward; hair straight-left and cloth low-left. ### turn 01–04 - T01: LEFT-facing upright/braced stance, feet apart; near leftmost arm hangs, far elbow bends outward/right with hand at rear waist; cloth close and vertical behind. - T02: Still LEFT-facing, hips and knees begin twisting, feet draw closer; near arm down, far arm bent; cloth starts lifting left. - T03: LEFT head and shoulders with slight hunch; near knee turns across body; one toe pivots while other boot stays flat; near arm down, far arm bent back; cape balloons low-left. - T04: LEFT leaning pivot deepens, near knee bent across/front, boots close and crossing; cloth broad triangle left. ### turn 05–08 - T05: Last LEFT-facing pose; shoulders rotate frontward while face remains left; cloth sweeps far-left/down; head and hair follow torso. - T06: FRONT/three-quarter pivot; ankles close under hips; elbows open and bend for balance; hair arcs over left, cloth spreads left. - T07: RIGHT-facing forward lean appears; upper arms swept back-left, elbows bent; one knee comes forward while rear leg supports; hair lifts up/back. - T08: RIGHT stronger compression; lead knee bends/lifts, legs close; arms swept back, low cloth tongue left. ### turn 09–10 - T09: RIGHT torso reopens and rises slightly; near forearm/fist forward-right at waist, far arm bent back; knees/boots close angled down-left; hair left with curled tip, cloth broad-low-left. - T10: RIGHT settles into stride; face higher, near forearm forward at waist, other arm back; legs close under body, hair and cape trailing left. ## Targeted review corrections - W02–W04: close/crossing boots and shins under the hips, removing a generated wide stride. - W12: both shins extend down-left with close staggered boots near the floor; the front leg no longer remains folded high. - T01–T05 face left; T06 pivots frontward; T07–T10 face right. The source is not an upright ten-step orthographic rotation. - T03/T04: gentle torso inclination and pivoting knees; skirt movement follows the supplied turn reference within Edelweiss's own costume. Current playback:31 walk drawings and10 turn drawings use a30FPS exposure timeline. Each drawing has two exposure frames (four60Hz simulation ticks):62 walk timeline frames and20 turn timeline frames. The collision simulation remains60Hz. This slower exposure update preserves the original drawing poses and PNGbytes. Final turn repair prompt (built-in image generation): +Use case: identity-preserve/precise-object-edit. Inputs: the current2x2Edelweisssheet is EDITTARGET; four-panel blackAlucardTURN1–4guide is EXACTPOSE reference. CorrectEdelweissT02–T04 to match sourceT02–T04. T01unchanged. CRUCIAL: sourceT03/T04aremostlyUPRIGHT withonlyGENTLE10–15degreeTORSOinclineLEFT andraised/pivotingknees. CurrentEdelweissT03/T04leans~40degreeswhichisWRONG. RAISETHEHEADANDSHOULDERS back nearlyoverhips, so torsoonlyleansLEFT10–15degrees, whileKEEPINGthesequence'sleft-facingheads, bentfararmhandatrearwaist, neararmdown, closeCROSSINGknees/feetandpivot. Theirfacesshouldbealmostabovehips, notthrustfarleft. ALSO the whiteFRONT/LEFTSIDEofskirtmustBILLOWTOSCREENLEFTinthepivot (likeAlucardredclothatleftofhislegs), whileBACK/RIGHThemfabricstayclosetobody. DrawactualLEFTWARDfronthemextensionshapedlikeabroadtriangleinT03andT04; doNOTdescribeitasa'reartail'. T02gentlyleftswish. Longsilverhaircantrailrightnaturally. Preserveidentity, twobraids, whitebotanicaldressblacklace/bow, whiteboots, exactbodyanatomicalscale,2x2positions, transparentgutters. EMPTYHANDSnosword. Genuinealpha, no text/grid/backdrop. Matchjointanglesfromfourblackguidepanelsfaithfully.